Pomplamoose

I am currently trying to avoid doing my work, so I have brought You (whomever you might be) a link to some music I've been pretty into lately. Review after the jump.

Holy F*ck at the Paradiso

I was looking for what concerts to check out before I leave to the states, and this was one of the ones that popped up. It was a late night show on a wednesday, I figured I wouldn't be able to get anyone else to come. Oh well, c'est la vie, and went on checking concerts out. Then there was Holy F*ck again in Pittsburgh days before I was going to be there, this couldn't be a coincidence, I was going to miss them when they were in america, and I had my chance. I called up a friend and we went to one of the best shows I've ever been to.

They play electronic music but only through analogue means, which means no computers and instead a slew of mini keyboards, pedals, chords and even a film synchronizer (which I had never even heard of before this band). All these things give the band a manic feel as they play through their set, pieces of the puzzle which is their set get switched in and out both physically and in the music, seemingly based on the mood swings of the musicians more than the structure of the song. A madness that is somehow tamed by these two men and their plethora of audio devices. Even though it's the accompanying drums and bass that are really keeping the band together, the epic (and sometimes eclectic) sweeping (and at other times jarring) electronic sounds are what drive the songs towards their eventual heights and catch the audiences fascination. Many of the crowd who were originally dancing around wildly fell into more of a lull of movement as they let the music and lights hypnotise them into the wildness of Holy F*ck.

Which brings us to another point, whoever was doing the lights at the Paradiso is a genius. He managed to fit the lights perfectly to the swinging moods of the band, at one moment erratic flashing green lights, turn into billowing purple cones rolling over the crowd, and then reverse into red lights moving five times as fast. Each switch perfectly fitting the music, and I believe this on top of the amazing and entertaining show from Holy F*ck, was what pushed this concert to the best I have ever seen. Kudos to you lights man.

P.S. Holy F*ck's third album is out entitled Latin, it is also great stuff. Check them out.
http://www.myspace.com/holyfuck
 http://www.amazon.com/LP-Holy-Fuck/dp/B000W1V3PS
http://www.amazon.com/Latin-Holy-Fuck/dp/B003E1QCGI/ref=pd_bxgy_m_img_b

Taking a Gander at the Music of 2009

I have listened to...11 albums this year, not a lot, but I'll tell you about some of my favorites.

White Denim : Fits
This is a rock album. It is pretty awesome. Voices echo into the forefront in the first song Radio Milk before a solid drum beat and catchy bass riff set the stage for a voice to blare in and an electric guitar to tear through the musical landscape. Fits is full of energy and continues to deliver it's catchy kinetic tunes throughout the whole album. White Denim doesn't fill their songs with lyrics and most of their songs are under 3 minutes, these things aren't bad, it merely shows that this band knows how to make a catchy song, with strong beats, striking riffs and strong vocals. Often when referring to this band I describe them as the reincarnation of Jimi Hendrix split into three parts all playing with one vision.

Tim Fite : Change of Heart

Tim Fite is at another end on the musical spectrum from White Denim. This album is filled with very thoughtful and definitely personal songs that build up slowly. These are filled with mood, chronicling the progression of a broken heart. The confusion of why, trying to get by, promises from an honest man, giving up on the whole process, feeling lost, anger and finally resolve. This album covers all of these experiences using Tim's multiple harmonies laid over one another intricately and purposefully, the dissonance and sound glitches reigned in to be useful instead of randomly as they did in other albums. The one man show that is Tim Fite strikes every chord in this his most personal album, and one might also say his most accessible album, delving into the heart.

 Brazos : Phosphorescent Blues

The Brazos are cool, they make songs that sound like a good time on the beach, often the noises will build up a harmony and fullness reminding one of the wash in and out from the sea. People playing games and running around, all lit up by the glow of a warm bonfire. It is interesting that they call it blues, the smooth swooping melodies and warm accompaniment speak more of good times than bad. Brazos do bring in more tender moments with Avignon and the all piano piece Pues, however it never sinks too far into the dark before a melody brings it up to the surface. Phosphorescent Blues drifts on swapping guitar for piano every couple of songs, and eventually it drifts to a stop "content to cross the finish line on it's own terms rather than in a final sprint"*.

Grizzly Bear : Veckatimest

Veckatimest is an album that finally brings the potential of Grizzly Bear to the forefront. Unlike previous albums that sometimes sound disjointed, Veckatimest is cohesive and strays into new areas. The first song on the record Southern Point starts out quite jazzy and then turns into something more. The guitar melodies take odd turns and slides that produce very interesting progressions. The vibrating vocal harmonies accompany the slightly odd but altogether wonderful spectrum of sound that the band produces. This album strikes a blazing trail from the Department of Eagles album In Ear Park from 2008 (Daniel Rossen's more personal songs), taking new territory, expanding beyond their past endeavors and in general making one hell of an album.